Aleksandr Rodchenko: Photography In The Time Of Stalin Aglaya K Glebova Yale University Press Αγγλικά Βιβλία Arts Art General

Through The Lens Of Aleksandr Rodchenko’s Photography A New And Provocative Understanding Emerges Troubled Relationship Between Technology Modernism State Power In Stalin’s Soviet Union “Glebova’s Book Is Valuable Addition To Literature On This Remarkable Always Relevant Figure ”—Peter Lowe Russian Art + Culture Tracing Shifting Meanings Early Aglaya K Glebova Reconsiders Politics During What Usually Considered End Critical Avant-Garde Rodchenko (1891–1956) Versatile Artist One Constructivism’s Founders Embraced As Medium Revolutionary Modernity Yet His Photographic Work Late 1920S 1930S Exhibits An Expansive Search For Different Pictorial Language Context Extreme Transformations Carried Out Under First Five-Year Plans Questioned Own Modernist Commitments At Heart Infamous 1933 Photo-Essay White Sea–Baltic Canal Site Gulags Glebova’s Careful Reading Reveals Surprisingly Heterodox Practice Brings Light Experiments Adjacent Media Including Collaborative Design He Undertook With Varvara Stepanova Partner Life Σελίδες: 256 Έτος Έκδοσης: 0223 Διαστάσεις: 17 8X17 8Cm