Light Kerryn Greenberg Tate Publishing Αγγλικά Βιβλία Arts Art General

Light Has Been An Enduring Subject In Art Every Conceivable Media Artists Have Exploited The Contrasts Between And Dark Opposed Cool Warm Colours Drawn On Science Attempted To Capture Transient Effects Of Its Emotional Associations This Book Explores How Perceived Illustrated Utilised Since Eighteenth Century Beginning With British Artist J M W Turner (1775–1851) Who Captured Triumphant Explosions Sought Represent Ephemerality Paint It Reveals His Expressive Use Colour Interest Evanescent Influenced French Impressionists For Them Became Itself As Likes Claude Monet (1840–1926) Pierre-Auguste Renoir (1841–1919) Alfred Sisley (1839–99) Others Ventured Outside Momentary Sunlight Canvas Exploring Later Innovations Photographic Processes Also Highlights Photography A Critical Vehicle Through Which Began Medium Eschewing Matter Create Photographs That More Closely Resembled Moving Abstractions Than Still Images While Early Art-Historical Tend Be Sublime Or Spiritual By 1960S Including Dan Flavin (1933–96) James Turrell (1943) Lis Rhodes (1942–) Had Begun Work Artificial New Types Sculptures Immersive Installations Repositioning Spectator Participant Many Like Olafur Eliasson (1967–) Tacita Dean (1965–) Continue Encouraging Viewers Question Their Own Positions Perspectives Showcasing Over 100 Remarkable Artworks From Past 200 Years Beautiful Intangibility Continues Fascinate Σελίδες: 208 Έτος Έκδοσης: 1120 Διαστάσεις: 21X21Cm