Paper Revolutions: An Invisible Avant-Garde Sarah E James Mit Press Αγγλικά Βιβλία Arts Art General

The Experimental Practices Of A Group Artists In Former East Germany Upends Assumptions Underpinning Western Art’s Postwar Histories Paper Revolutions Sarah James Offers Radical Rethinking Art (The Gdr) Countering Conventional Accounts That Claim Artistic Gdr Were Isolated And Conservative Introduces New Narrative Neo-Avantgarde Practice Eastern Bloc Subverts Many She Grounds Her Argument Four Who Uniquely Positioned Outside Academies Museums Market As These Functioned West Created Blind Spots State Censorship They Championed Ephemeral Often Marginalized By History: Postcards Letters Maquettes Models Portfolios Artists’ Books Through Their “Lived Modernism ” Produced Bodies Work Animated Legacies Interwar Avant-Garde Examines Daily Constructivist Graphic Artist Painter Sculptor Hermann Glöckner Concrete Sound Poet Carlfriedrich Claus Mail Conceptual Ruth Wolf-Rehfeldt “Visual Installation Karla Sachse Shows All Rejected Idea Commodity Or Rarefied Object Instead Believed Potential To Create Collectivized Experiences Change World Argues Entirely Neglected History Some Most Significant Emerge From During Cold War Σελίδες: 296 Διαστάσεις: 17 8X17 8Cm