Theatres Of Melancholy: The Neo-Romantics In Paris And Beyond Patrick Mauries Thames Hudson Ltd Αγγλικά Βιβλία Arts Art General

The First Substantial Book On French Neo-Romantics A Cosmopolitan Group Working In 1920S Paris Who Turned Against Modernist Abstraction Favour Of New Form Figurative Painting 1926 Galerie Druet Made Waves Presenting Young Painters Had Spurned And Returned To For Most Them This Was Time They Exhibited But Their Impact Considerable Art Critic Waldemar George Baptized ‘Neo-Romantics’ Or ‘Neo-Humanists’ Were Influenced By Picasso Particular His Blue Rose Periods Went Beyond Him Forge Ways These Artists Liked Play With Forgotten References Obsolete Visual Devices Such As Trompe L’oeil Produced Work Secondary Forms Including Theatre Set Design Ballet Some Post-Modernists History Yet Until Now There Has Only Ever Been One About After Published Ten Years Exhibition More Recently Influence Contemporary Thinkers Max Jacob Hugnet Gertrude Stein Recognized Though Friends Never Formed Formal Movement Second World War Sent Different Paths Berman Brothers Tchelitchev Moving United States Before Departure However Activities Attracted Attention Admiration Characters Alfred Barr Lincoln Kirstein Balanchine Many Others Leading Fashion Figures Day Christian Dior Elsa Schiaparelli Σελίδες: 256 Έτος Έκδοσης: 0623 Διαστάσεις: 23X23Cm