Why It Does Not Have To Be In Focus: Modern Photography Explained Jackie Higgins Thames Hudson Ltd Αγγλικά Βιβλία Arts Art General

Why Take A Self-Portrait But Obscure Your Face With Lightbulb (Lee Friedlander Provincetown Cape Cod Massachusetts (1968)? Or Deliberately Underexpose An Image (Vera Lutter Battersea Power Station Xi: July 13 2004)? And Photograph Ceiling (William Eggleston Red 1973)? In It Does Not Have To Be Focus Jackie Higgins Offers Lively Informed Defence Of Modern Photography Choosing 100 Key Photographs – Particular Emphasis On The Last Twenty Years She Examines What Inspired Each Photographer First Place Traces How Piece Was Executed Doing So Brings Light Layers Meaning Artifice Behind These Singular Works Some Which Were Initially Dismissed Out Hand For Being Blurred Overexposed ‘Badly’ Composed Often Controversial Discussed This Book Play Our Expectations Ingrained Tendency Believe That Is Telling Us Unadorned Truth Higgins’s Proves Once All There’s Much More Art Than Just Pointing Clicking Σελίδες: 224 Έτος Έκδοσης: 0901 Διαστάσεις: 14X14Cm